Touched With Fire: a movie about bipolar's mania
When I received an email recently with an invitation from Mental Health America to attend a free screening of Touched With Fire a new film about bipolar disorder starring Katie Holmes and Luke Kirby, I RSVP'd immediately. It fascinates me to view my illness through the eyes of another person touched by this diagnosis. And this film was written, music composed and was directed by a man who lives with bipolar illness.
Filmmaker Paul Dalio was diagnosed with bipolar disorder at the age of 24, and like me, struggled to accept the label. He said he romanticized the mania, pointing to famous poets and writers who shared the condition. He's developed a strong sense of pride and I could wholeheartedly relate. It seems his experience over the years has led him to a place I find myself in now: able to live in harmony with bipolar, with a loving family and a full life.
Several of my volunteers and one of our new This Is My Brave interns joined me at the screening. We all were impressed by the film, it's ability to express the artistic side of the disease, how family members struggle with how to help or walk away, and what happens when one refuses to comply with medications and treatment.
Plus, it's a love story. That was probably my favorite part about the movie. And it has a great ending.
I did have a concern as I reflected back on the scenes and the dialogue though. So many moments brought me back to my initial diagnosis and the years that followed.
Like when my parents kept referring to what was happening to me as "episodes" which made me feel so broken.
And when I questioned whether I even had bipolar disorder. I didn't think I needed the meds.
And the times I went off my meds (to protect my unborn babies) only to end up manic and hospitalized within a week both times.
I worry that the film will be dangerous to those who are not in a solid place of recovery. It's been ten years since I've been diagnosed. Coming up on six years since I've had a manic episode requiring hospitalization. I'm at a place where I know that I will never go off my meds. I know what my triggers are and I know how to manage them. I take such better care of my body and my mind compared to where I was back when I was still learning to understand my condition.
Someone who is early in their recovery journey may be tempted by the film to get rid of meds, to go back to life before being medicated because they were so much more artistic (not true). Paul, the filmmaker, even commented on the fact that he's so much more able to utilize his creativity to attain his goals and dreams being on medication and stable. Something that Dr. Kay Jamison taught him when they met and she became a mentor to him, a connection made possible by his own psychiatrist.
Speaking of Dr. Jamison, she makes a cameo in the movie and I got to say hello to her after the screening and Q & A. I told her how much I admired her work and how I attended one of her book signings in 2007 and asked her about pregnancy and medication. Her advice to me was to stay on my meds, which I did not heed and learned my lesson the hard way. She was very glad to know of the work This Is My Brave is doing and I'm hopeful she'll be able to attend a local show in the near future.
You never know how someone will respond when you put your story out there, when you put your art out into the world. Paul has taken a risk that was no doubt worth taking. My hope is that the film will not live up to my concerns, but instead serve as a springboard for important conversations surrounding mental illness and mental health that need to be taking place in communities everywhere.
The film opens tomorrow, February 12th in New York City and Los Angeles, and on February 19th nationwide in select cities. You can watch a trailer of the film HERE. This Is My Brave is hosting a Meetup for anyone in the DC-metro area who would like to come together to support the film's opening weekend. Click here to sign up to meet us on Friday at the Angelika Film Center in Fairfax for the 7pm-ish showing.